摘要
陈彦的《喜剧》在生活与生命常态的表现中,融入戏剧性因素,形成了"不奇之奇"的风格。小说通过现实生活多层面的真实性表现,借助荒诞、魔幻手法,穿透日常经验,深入民族深层精神结构。通过时间维度上的"传统"和空间维度上的"乡村",小说讲述不无矛盾又蕴含希望的繁复的中国故事。
Chen Yan’s Comedy incorporates dramatic factors into routine and normal life,forming a style with strangeness coming out of nothing strange.Through the authentic presentation of multi-level real life,the novel penetrates routine experience and goes into the deep spiritual structure of the nation with the techniques of absurdity and magic.Through"tradition"in the time dimension and"village"in the space dimension,the novel tells a complicated Chinese story with contradictions and hopes.
出处
《济南大学学报（社会科学版）》
CSSCI
2022年第1期49-55,174,共8页
Journal of University of Jinan:Social Science Edition
作者简介
吴义勤,中国作家协会副主席。
