摘要
“感物”是中国传统美学的重要范畴,其中包含的“物感”与“感物”话语并非同时出现的,内涵也不能简单等同。物感诞生于巫官文化向史官文化转变的转型期,物占主导作用,物感动人,先物后情,决定心之所感。之后,随着礼乐文化向礼法文化过渡,人的主体性增强,对世界的体认深入,感物逐渐兴起,并最终在六朝定型。感物指人在心物关系中占主导作用,先情后物,人感受物,借物言情。感物与物感最终融合成为无功利的心物感应,代表以人为主导的人与物无间的交流沟通。自物感至感物,是社会关注点从物人关系逐渐转移到天人关系和人自身的过程,也是人逐步体认到自身重要性的过程。
“Ganwu”is an important category of Chinese traditional aesthetics.The words“Wugan”and“Ganwu”contained in it do not appear at the same time,and the connotations cannot be simply equated.Wugan was born in the transition period from the wizard culture to the historian culture,and objects play a leading role.Objects move people,objects first,and then sentiment.Objects and sentiment determine what the heart feels.Afterwards,with the transition from the ritual and music culture to the ritual and law culture,the subjectivity of human beings strengthened and the understanding of the world deepened,Ganwu gradually emerged and finally took shape in the Six Dynasties.Ganwu refers to the dominant role of human beings in the relationship between heart and objects.There is sentiment first,then objects.People feel objects and express their feelings through objects.Ganwu and Wugan finally merged into a non-utilitarian mind-object interaction,representing the seamless communication between people and objects led by people.From Wugan to Ganwu is a process in which the social focus gradually shifts from the relationship between objects and people to the relationship between heaven and man and the person himself,and it is also a process in which people gradually realize their own importance.
出处
《励耘学刊》
2021年第2期46-63,418,419,共20页
基金
教育部哲学社会科学研究重大课题攻关项目“中华诗词的语言艺术原理及其历史生成机制研究”,项目编号:18JZD021
关键词
物感
感物
心物感应
物人关系
Wugan
Ganwu
Mind-Object Interaction
Relationship Between Objects and People
作者简介
夏朝阳,国家开放大学人文教学部文学院讲师,研究方向为中国诗学。
