摘要
《蒹葭》被称为"诗人之诗",其风格有别于《诗经·秦风》中的其他作品,在《秦风》中较为独特,因此千百年来一直受到学者关注和讨论。近代以来,新方法的运用和新材料的出现扩大了《蒹葭》的研究范围,内容涉及诗旨、季节、异文等多个方面。集中对四十年来关于这三个方面的研究成果和研究方法进行梳理,可知未来对《蒹葭》的研究还是要注重出土文献和书面文献的结合,重视对考古成果和对新技术的运用。此外,诗旨方面结合赵逵夫、刘龙勋、樊靓等学者的研究成果,推论出《蒹葭》主旨是对当地盐神"盐婆婆"即"织女"祭祀的结论。
Jianjia is called ’’the poet’s poem’’. Its style is different from other works in the book of songs—Qin Feng. It is more unique in Qin Feng. Therefore, it has been concerned and discussed by scholars for thousands of years.Since modern times, the application of new methods and the emergence of new materials have expanded the research scope of Jianjia, which involves many aspects, such as poetic purport, season,different text and so on.Focusing on the research results and research methods in three aspects in the past 40 years, we can know that the future research on Jianjia should still pay attention to the combination of unearthed documents and written documents, and the application of archaeological results and new technologies.In addition, combining the research results of scholars such as Zhao Kuifu, Liu Longxun and Fan Liang,it is inferred that the main purpose of Jianjia is to sacrifice the local salt God ’’salt popo’’, that is, the ’’Weaver Girl’’.
作者
臧茗
Zang Ming(School of Chinese Literature and Cultural Communications,Tianshui Normal University,Tianshui Gansu 741001,China)
出处
《天水师范学院学报》
2021年第4期75-82,共8页
Journal of Tianshui Normal University
关键词
蒹葭
诗旨
季节
异文
Jianjia
poetic purport
season
foreign language
作者简介
臧茗(1996-),女,山东诸城人,天水师范学院文学与文化传播学院在读硕士研究生。
