摘要
博物馆学是从对文化遗产保护和利用实践的记录和描述开始的,因此也见证了其从研究对象到研究理念上的转向。博物馆的诸多改革与创新也在一定程度上影响着博物馆学研究的更新与扩展。博物馆的公共知识属性促使博物馆传播研究从单向到双向的转变,而这样的转变影响着博物馆从展现集体的群像过渡到对个人的关照。博物馆学的情感研究也因此展现了从离身向具身的发展趋势。未来博物馆学的研究将更多地将知识与情感作为两大支柱,记录与描述更多体验导向的对博物馆收藏、展示、教育、研究的思考。
Museology began with the documentation and description of cultural heritage conservation and utilization, and thus has witnessed a shift from the material studies to its philosophical dimension.The many reforms and innovations in museums have also influenced, to some extent, the renewal and expansion of museological research. Museum as public intellectual has contributed to a transform within museum communication research from a soliloquist to the interactive model, and this shift has influenced the transition from presenting collective group images to caring for individuals. As a result, the study of emotions in museology has shown an increasingly change from the disembodied to the embodied. In the future, museological research will progressively apply knowledge and emotion as two pillars to document and describe more experience-oriented reflections on museum collections, displays, education, and research.
作者
王思怡
Wang Siyi(Shanghai University,Shanghai,200444)
出处
《博物院》
2021年第4期22-25,共4页
Museum
关键词
博物馆学
双向
具身
体验
Museology
double sided
embody
experience
