摘要
随着"作为方法的亚洲"和"作为方法的亚洲电影"进入电影研究中,亚洲电影的主体性、差异性和多样性,相关史论的知识整理和方法探索,以及具体的影像语言等成为关注的重点。由此可见,考察"亚洲电影"需要秉持多元异质的视野,才能深入其肌理。海外学术界的研究成果无疑能提供参考,而从中国电影经验出发的"共同体美学",也在提供另一种思考。这一立足实践、提供交流空间、增加文明文化复建的理论,是对亚洲电影的再认识、再研究和再阐述。
"Asia as a method" and "Asian film as a method" bring several focuses to film research:(1)the subjectivity, difference and diversity of Asian films,(2)the knowledge arrangement and method exploration of relevant historical theories,(3)and the specific image language. The study of "Asian Film" needs to uphold the vision of diversity and heterogeneity in order to go deep into its texture. The overseas research can provide reference, and the"Community Aesthetics" based on the experience of Chinese film also provides another kind of thinking, which is a reunderstanding, re-research and re-elaboration of Asian films.
作者
饶曙光
刘婧
Rao Shuguang;Liu Jing
出处
《电影艺术》
CSSCI
北大核心
2021年第3期13-19,共7页
Film Art
关键词
共同体美学
亚洲电影
主体建构
空间生产
community aesthetics
Asian film
subject construction
space production
作者简介
饶曙光,上海大学上海电影学院特聘教授,博士生导师;刘婧,上海大学上海电影学院博士生。
