摘要
自上世纪90年代以来,过去经过若干代传承逐步形成地方遗产的传统模式发生了新变化,民族文化遗产,尤其是地方性传统手工艺"小遗产",被能够产生社会效益和经济效益的个人、团体和资本工艺移植并转化为当地遗产越来越成为一种常态。宝应乱针绣正是这一时期形成的刺绣业内的后起之秀,见证过传统工艺美术文化复兴的一段传奇,也书写了富民增收的一段佳话。文章聚焦于宝应乱针绣,在实地调研基础上,通过对其近三十年来从无到有的建构过程,以及市场化背景下不断革新与重构的思考,探研非遗活态语境下表述和传承的难点和重点,提出了其实践经验对其他非遗项目传承有一定的借鉴作用,也对艺术设计类人才的实践创新能力的培养有一定的启示。
Since the 1990 s,new changes have taken place in the traditional model of local heritage that has been passed down through several inheritances.National cultural heritage,especially the"small heritage"of local traditional handicrafts,has been used by individuals who can generate social and economic benefits.It is becoming more and more normal for groups and capital crafts to be transplanted and transformed into local heritage.Baoying chaotic needle embroidery is a rising star in the embroidery industry formed during this period.It has witnessed a legend of the revival of traditional arts and crafts culture,and also wrote a good story about enriching the people and increasing income.The article focuses on Baoying chaotic needle embroidery.Based on field research,Through the construction process from scratch in the past 30 years,as well as the continuous innovation and reconstruction under the background of marketization,the difficulty and key points of the formulation and inheritance of the non-heritage living context are explored,and some views are put forward.Its practical experience has a certain reference for the inheritance of other intangible heritage projects,and also has certain enlightenment for the cultivation of the practical innovation ability of art design talents.
作者
王笙渐
赵月欣
WANG Sheng-jian;ZHAO Yue-xin(Art and Design Institute,Yangzhou University,Yangzhou,Jiangsu 225009)
出处
《艺术百家》
CSSCI
北大核心
2020年第5期187-193,共7页
Hundred Schools In Arts
基金
2020年度江苏省社会科学基金项目“数字化时代江苏非物质文化遗产‘活态化’保护研究”(项目编号:20YSB009)阶段性成果之一。
关键词
宝应乱针绣
非遗
移植
话语权
重构
Baoying Random Needle Embroidery
Intangible Cultural Heritage
Transplantation
Right to Speak
Reconstruction
作者简介
王笙渐(1979-),女,汉,山东济南人,扬州大学美术与设计学院副教授。研究方向:服装与服饰设计;赵月新(1992-),女,汉,河北唐山人,扬州大学美术与设计学院在读硕士研究生。研究方向:民间美术。
