摘要
舞剧《永不消逝的电波》自首演以来获得了前所未有的关注和观演热潮。笔者认为,该剧既获得了广大观众的赞誉和追捧,同时也获得业内专业人士的赞誉与肯定,其根本原因就在于该剧从不同的层面体现出了近年来中国舞剧观念的更新、本体创作规律的实施,可以说该剧是当下中国舞剧叙事观念转变与探索的一个缩影,也代表着中国舞剧的当代发展形态。《电波》中,叙事观念的本体转变、舞剧叙事方式的深度开掘两个方面尤为突出,其文学思维与舞剧思维的转换、互文关系作用、情感逻辑取代故事逻辑、时空处理彰显本体优长、开放的意义空间等创作方法,值得从美学层面进行深入分析。
The dance drama The Eternal Wave has received unprecedented attention and admiration since its debut.The work has won the praise and popularity of vast audience as well as the acclaim and affirmation of professionals in the industry.The fundamental reason is that the work has reflected the concept of Chinese dance drama and the implementation of ontological creation law from different aspects in recent years.It can be said that this work is an epitome of the transformation and exploration of current Chinese dance drama’s narrative concept,and it also represents the contemporary developmental form of Chinese dance drama.In this work,the ontological transformation of narrative concept and the deep exploration of narrative mode are particularly prominent.Its choreographic methods,such as the transformation of literary thinking and dance drama thinking,the role of intertextuality,the substitution of emotional logic for story logic,the display of ontological advantages in spatiotemporal processing,and the open meaning space are worthy of in-depth analysis from the aesthetic level.
作者
张麟
ZHANG Lin(School of Dance,Shanghai Theater Academy,Shanghai 200050,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第4期21-25,共5页
Journal of Beijing Dance Academy
基金
2017年度国家社科基金艺术学一般项目“舞剧本性研究”(项目编号17BE091)阶段性成果。
关键词
舞剧
《永不消逝的电波》
叙事
互文性
时空处理
舞台意象
dance drama
The Eternal Wave
narrative
intertextuality
spatiotemporal processing
stage imagery
作者简介
张麟(1978-),男,博士,教授,上海戏剧学院舞蹈学院党总支书记、副院长,主要研究领域:舞蹈创作理论与实践、舞蹈美学。
