摘要
生态美学的产生是时代使然,其主要努力方向是超越传统实践美学,实现美学由认识论向新的生态存在论的转型。生生美学是生态美学研究中国化的一种尝试,它超越了人类中心论而力主万物一体,包含着宇宙万物日新月异、不断发展创新的广义内涵。这是传统文化的创造性发展与创新性转化的有益尝试,包含了几代学人的学术积累。曾繁仁教授作为中国生态美学的主要奠基人之一,对生生美学的话语体系建构有着较为全面和准确的把握,通过访谈的形式,可以切近生生美学在中国发生发展的脉络,有助于把握当代美学发展的趋势和方向。
The emergence of ecological aesthetics is due to the times.Its main focus is on transcending the traditional practical aesthetics and transforming aesthetics from epistemology to the new ecological existentialism.Aesthetic life-rearing is an attempt to study ecological aesthetics in a Chinese style.It transcends the anthropocentrism,advocates the integration of all things,and embodies a broad meaning that everything in the universe is ever-changing and continues to develop with innovation.This is a beneficial attempt for the creative development and transformation of traditional culture,including the academic accumulation of several generations of scholars.As one of the main founders of Chinese ecological aesthetics,Professor Zeng Fanren has a relatively comprehensive and accurate grasp of the discourse system construction of aesthetic life-rearing.Through the interview,we can get close to the emergence and development of aesthetic life-rearing in China and grasp the trend and direction of advances of contemporary aesthetics.
作者
曾繁仁
张超
ZENG Fan-ren;ZHANG Chao(The Centre for Literary Theory and Aesthetics,Shandong University,Jinan 250100,China)
出处
《美育学刊》
2020年第4期29-32,共4页
Journal of Aesthetic Education
基金
国家社会科学基金重大项目“生态美学文献整理与研究”(2016M596123)的阶段性成果
教育部人文社会科学青年项目“环境审美模式的理论价值与实践意义研究”(18YJC720030)的阶段性成果。
关键词
生态美学
中国话语
生态存在论美学
生生美学
ecological aesthetics
Chinese discourse
ecological existentialism aesthetics
aesthetic life-rearing
作者简介
曾繁仁(1941-),男,安徽泾县人,山东大学文艺美学研究中心教授、博士生导师,主要从事美育与文艺美学研究;张超(1980-),女,山东平邑人,文学博士,山东大学文艺美学研究中心博士后研究人员,济南职业学院马克思主义学院副教授,主要从事环境美学、生态美学研究。
