建构与突破:生态美学与人的生存问题——论曾繁仁生态美学思想的建树与所谓“无人美学”的争议

Construction and Breakthrough:Ecological Aesthetics and Human Existence——On the Contribution of Zeng Fanren’s Ecological Aesthetics and the Controversy of the So-called“Unmanned Aesthetics”

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摘要随着经济全球化与高科技发展的冲击,与人类生存相关的气候、环境、水土资源等日益遭到过度开发,国际上环境美学、生态美学对人类生存处境面临的各种危机予以关注和研究。从21世纪初期开始,曾繁仁先生以“生态存在论“”生生美学“”简约生活”等介入生态美学,并展开与世界美学界的对话,这实际上是对西方美学中长期形成的“人类中心主义”思路的一种反拨,最终形成了独具中国特色的生态美学话语。2019年,当代美学家李泽厚对国内的“生态美学”、生命美学以及后实践美学等流派提出质疑,认为这些美学主张并是不关注人自身问题,而是“以生物本身为立场”的“无人美学”,一时间引起国内美学界许多学者的认同或质疑(如刘悦笛、曾繁仁、潘知常、杨春时、程向占等均对此做了回应)。阐释和分析曾繁仁先生在生态美学领域的建树与突破,以及生态美学与人自身生存问题的关系,积极回应李泽厚先生所谓的“无人美学”的争议,实际上旨在表明曾繁仁先生与时俱进的生态美学建树是在中西对话语境中对西方经典美学、环境美学的一种深刻反思和超越,其成就值得学术界重视。 Since the beginning of the 21st century,Mr.Zeng Fanren has intervened in ecological aesthetics with ecological ontology,biological aesthetics,and simple life,and started a dialogue with the world’s aesthetic circles.This is actually a long-term formation of Western aesthetics,a kind of backwash from the thinking of anthropocentrism,and finally formed an ecological aesthetic discourse with unique Chinese characteristics.In 2019,contemporary aesthetician Li Zehou questioned the domestic schools of“ecological aesthetics”,life aesthetics,and post-practical aesthetics.He believed that these aesthetic claims were“unmanned aesthetics”,which does not focus on human issues but“takes the standpoint of beings”.For a while,many scholars in the domestic aesthetics circle were questioned and controversial(for example,Liu Yuedi,Zeng Fanren,Pan Zhichang,Yang Chunshi,Cheng Xiangzhan,etc.responded to this).Interpretation and analysis of Mr.Zeng Fanren’s achievements and breakthroughs in the field of ecological aesthetics,as well as the relationship between ecological aesthetics and the problem of human existence,and actively responding to the controversy of Mr.Li Zehou’s so-called“unmanned aesthetics”.The advancement of ecological aesthetics is a profound reflection and transcendence of Western classic aesthetics and environmental aesthetics in the context of Chinese and Western dialogue,and its achievements deserve the attention of the academic community.

作者王昌树张文杰 Wang Changshu;Zhang Wenjie

机构地区浙江农林大学文法学院复旦大学安徽滁州学院文学院安徽财经大学艺术学院

出处《中国美学研究》 2022年第1期365-380,共16页

基金 2019年国家社科基金项目“海德格尔存在论思想与当代中国美学研究”(19BZW015)阶段性成果

关键词曾繁仁生态美学李泽厚无人美学 Zeng Fanren Ecological aesthetics Li Zehou Unmanned aesthetics

分类号 B834 [哲学宗教—美学]

作者简介王昌树,江苏宿迁人,浙江农林大学文法学院副教授,复旦大学文艺学博士后,主要研究方向为文艺美学、西方美学和大众文化批判;张文杰,甘肃宁县人,安徽滁州学院文学院博士、教授,安徽财经大学艺术学院硕士生导师,主要研究方向为文艺理论、中西美学、视觉文化以及媒介文化理论。