摘要
反思是对主体的关注与沉思,而自我反射式的纪录片是体现拍摄者自我反思意识的新型纪录片。文章追溯纪录片自我隐退的直接电影和传统纪录片的背景,以此考察自我暴露、自我反思的纪录片。它放弃俯瞰与偷窥,打破封闭,保持开放,借助自我指涉,呈现主体间的互动,构建复调的对话,以此通过别具一格的文本形态,启发并召唤着观众反思真实的生成性质与构建色彩。
Reflection is the concern and contemplation of the subject,and the self-reflective documentary is a kind of novel documentray that reflects the filmmakers'consciousness of self-reflection.This essay traces back to the background of the Direct Cinema and the traditional documentary to examine the self-revealing and self-reflective documentary.It abandons the techniques of overlooking and peeping,breaks the closure,keeps open,and reflects on the legitimacy and morality of invasion.It does not uphold the authoritative perspective and commentary,nor does it deliberately disguise to present a clear and transparent reality.Instead,it presents the interaction between subjects and constructs polyphonic dialogues with self-reference to enlighten and call the audience to reflect the generating nature and construction of reality with unique form of text.
作者
莫常红
MO Changhong(College of Arts and Science,Beijing Union University,Beijing 100191)
出处
《贵州大学学报（艺术版）》
2020年第2期62-68,共7页
Journal of Guizhou University Art Edition
关键词
自我反射式纪录片
真实
互动
主体间性
透视主义
self-reflective documentary
reality
interaction
intertextuality
perspectivism
作者简介
莫常红,电影学博士,北京联合大学副教授,研究方向:纪录美学,媒介伦理,城市影像传播。
