摘要
通过对民国时期画报、服饰杂志以及名人语录的梳理,结合社会文化的变迁,对民国时期女装社会角色及其服饰的变化进行总结。得出:近代女性从囿于闺阁到走出家门参与社交,女性思想开始解放,从无意识转变为拥有独立人格与自我个性的新女性;女性的社会角色也更为丰富,成为学生、女工、职员,甚至是社会活动者等;近代女性服饰随着她们生活的变化而变革,表现出迥异的风貌,成为女性思想的物化表征,反映了一个时代的审美趋向。
Based on the analysis of pictorials,clothing magazines and celebrity quotes of the republic of China,and the changes of social culture,this paper summarizes the social role of women's clothing in the republic of China.It is concluded that modern women from confinement by boudoir to participation in society,feminine consciousnessbegan to liberation,from anunconscious woman into a new one with independent personality and specific character.The social roles of women are also more abundant,becoming students,women workers,employees,and even social activists.With the change of their lives,modern women's clothes have changed,showing different features,becoming the materialized representation of feminine consciousnessand reflecting the aesthetic trend of an era.
作者
牛犁
崔荣荣
王忆雯
NIU Li;CUI Rongrong;WANG Yiwen(Non-Material Culture Heritage Base of Jiangsu Province,Jiangnan University,Wuxi 214122,China;School of Textile and Clothing,Jiangnan University,Wuxi 214122,China;Faculty of Artistic Designing,Huaiyin Institute of Technology,Huai'an 223001,China)
出处
《服装学报》
CAS
2019年第6期538-541,共4页
Journal of Clothing Research
基金
江苏省社会科学基金项目(16YSB007)
高校哲学社会科学研究重大项目(2018SJZDA130)
关键词
近代女性
社会角色
意识觉醒
服饰变革
modern woman
social roles
awakening of awareness
revolution of costume
作者简介
牛犁(1986),女,副教授,硕士生导师。主要研究方向为服装设计理论与服装社会文化史。Email:421227198@qq.com。
