摘要
宗炳是开山水画之先河的画家、画论家,他在佛学“神不灭”思想的影响下提出了情本感应之说的形神理论。他认为感应是“神”产生的基础,也是人们认识“神”的媒介,这一点使艺术作品的内在神韵实现了独立;同时,这些形神美学思想在他的山水画理论中呈现为“澄怀味象”和“神超理得”两个核心范畴。“澄怀味象”的认识方式,区别了表象与艺术形象,讨论的是如何认识“形”的问题;“神超理得”指明了“神”的意义,真正实现了人的精神解放。只有明晰佛教“形神”思想与宗炳形神美学的关系,我们才能更好地理解他的山水美学思想。
Zong Bing is a pioneer painter and theorist of landscape painting. Influenced by the Buddhist thought of "Immortality Gods",he puts forward the theory of form and spirit,which is emotional-based induction. He believed that induction is the basis of the generation of gods and the medium of people's understanding of gods,which makes the inherent charm of artistic works independent. At the same time,these aesthetic ideas of form and spirit are presented as two core categories "Chenghuai Weixiang"(clarification of mind and taste of image) which distinguishes image from artistic image,discusses how to understand "Form" and "Shenchao Lide"(getting the truth after the mind is relaxed) which points out the meaning of "gods",realize the freedom of human being's spirit. Exploring the relationship between Buddhist thought of "form and spirit" and Zong Bing's aesthetics of form and spirit can help us understand Zong Bing's aesthetics of landscape paintings better.
作者
周春雨
ZHOU Chunyu(College of Literature,Harbin Normal University,Harbin,Heilongjiang 150025)
出处
《绵阳师范学院学报》
2019年第7期10-14,共5页
Journal of Mianyang Teachers＇ College
关键词
形神
宗炳
佛学
感应
心
form and spirit
Zongbing
Buddhism
induction
mind
作者简介
周春雨(1994-),男,黑龙江大庆人,硕士研究生,研究方向:中国文论、中国美学.
