摘要
清末民初,改良年画作为影响最广泛的传播媒介,成为了上层知识分子与下层普通民众的沟通桥梁,是宣传社会改良和民众启蒙的最佳路径。在诸多反映"开民智、兴女学"的改良年画中,以展现新式女学堂作品最为集中,成为引领社会风尚新的文化符号。天津北洋女师范学堂,作为近代第一个官立女子师范学堂,旨在培养小学女教员,普及女学,是近代女学发达的起点,一时成为多个年画中心争相观摩、选材的示范基地,为研究近代女学的创建提供了可视化资料。结合北洋女师范学堂创办的相关文献资料,挖掘改良年画中女学题材中蕴含的历史信息,进一步剖析改良年画与近代女学兴起的内在关系,有着重要学术价值。
As the most extensive media in the late Qing dynasty and early Republic of China, the improved New Year pictures have become a bridge between the upper intellectuals and lower people, an approach to publicity of social enlightening. Under the influence of the New Year pictures, people are enlightened and women’s colleges bloomed. Tianjin Beiyang Women’s Normal School is set up as the first government-sponsored school for women in modern times, aiming at female teachers for primary schools, and popularizing female education. Based on the literature of Beiyang Women’s Normal School, this paper explores the historical researches of the New Year pictures in relation to the women’s education.
作者
胡小京
HU Xiao-jing(School of History, Hebei Normal University, Shijiazhuang, Hebei 050024 , China)
出处
《河北师范大学学报（教育科学版）》
北大核心
2019年第3期33-41,共9页
Journal of Hebei Normal University(Educational Science)
基金
建国初河北农村社会教育的变迁与评析(CXZZBS2018085)阶段性研究成果
关键词
清末民初
改良年画
女学
北洋女师范学堂
late Qing and Early Republic of China
New Year picture
women education
Beiyang Women’s Normal School
作者简介
胡小京(1982-),女,河北保定人,汉族.在读博士研究生,主要从事中国近现代社会经济史研究.
