摘要
针对一系列关于数字人文的“计算”及“工具”性的争论,本文指出数字人文是数字知识生产转型中的必然路径,但需警惕算法依赖和工具化约,需要突破在乐观和悲观意义上同时有效的“技术黑箱”。如将“计算”问题视为单纯的算法、工具和方法,是无法解决数字人文的“计算”困境的,因此,数字人文需要从知识谱系上进行拓展,尤其需要重建包括媒介研究在内的其他思想谱系的关系,将数字人文放置到“数字文化”的大语境中,突破数字人文的计算困境。
Targeting to the debates on“computation”and“tool”of digital humanities,this essay points out that digital humanities is the unavoidable approach to the transformation of digital knowledge production but needs to be cautious with the dependence on the algorithm and the reduction the digital humanities to tool and break the black box of technology affected in the sense of optimism and pessimism.Regarding the computation as the simple algorithm,tool and method,it is impossible to resolve the crisis of computation of digital humanities.Hence,it would be necessary to expend the genealogy of knowledge of digital humanities and reconnect the relationship between digital humanities and other knowledge category,such as media studies.Only resetting the digital humanities in the broader context of digital culture,the crisis of computation would be able to be resovled.
出处
《文化研究》
CSSCI
2018年第2期171-185,共15页
Cultural Studies
基金
国家社会科学基金重大项目“西方美学经典及其在中国传播接受的比较文献学研究”(17ZDA021)
关键词
数字人文
知识生产
计算
算法
媒介研究
Digital Humanities
Knowledge production
Algorithm
Computation
Media studies
作者简介
陈静,文学博士,南京大学艺术学院副教授,主要从事媒介文化与数字人文研究。
