摘要
20世纪90年代,美国艺术在社区的实践经验就已经有量化的方法论文献被整理成册。社区作为公共空间的组成部分,其发展和变迁与城市进程有着直接关系。反观中国,从许村、碧山、石节子到羊磴,越来越多的艺术家、设计师涌入乡村,对介入式、参与式艺术创作方法的探讨也成为学术界的热门话题。艺术介入社区,其介入的对象、方式、结果如何?社区中的艺术又带来了哪些新的话题?社区和乡村同为公共空间的一部分,在不同的意识形态下有着不一样的发展面貌。本文以20世纪60年代开始流行的美国社区艺术为研究对象,结合美国的文化和政治特征,通过案例来剖析社区艺术在美国实践的现状和所面对的问题。
Since 1990s,the practice experience of American art in community has already been recorded with the form of quantitative methodological documents.As the main constitutional part of public art,community’s development is directly related to city’s evolution.In China,from Xucun,Bishan,Shijiezi to Yangdeng,the increasing number of artists flock to villages to explore intrusive and participating methods of art creation,which has become a heatedly discussed topic.What’s the object,method and result of art going to community?What new topics has art in community brought about?Communities and villages are part of public art,with different development aspects under different ideologies.Taking American community art which started to prevail in 1960s as the research object,this article analyzes present situation and problems of community art in America,based on American cultural and political characters.
出处
《当代美术家》
2018年第6期22-25,共4页
Contemporary Artists
关键词
社区
艺术
政治
community
art
politics
