摘要
历代连称"戏曲小说"主要指向作为"说话"伎艺的"小说"与"戏曲",强调此类作品的表演性特征与演说方式的特殊性。《也是园藏书目》以"戏曲小说"作为一种与"四部"并列的部类,即是对上述做法与时人普遍认知的回应。而此书目"戏曲小说"下设置"通俗小说"小类,系为突出与"传奇"、说唱文学有较大纠葛的《三国志通俗演义》《水浒传》等作品在表现形式及其表演趣味,与"古今杂剧""传奇"等的区别。它依旧将《三国志通俗演义》《水浒传》当作一种带有表演趣味的、以章回体式存在的"说话"伎艺,而非以之为白话通俗小说。
When scholars use the term"opera-novel",they mean that it is a popular performance art,and emphasizes the performance of the work and the particularity of the way of speech.Ye Shi Fwan Cang Mw takes“opera-novel”as the category in company with“Four Classics”,and is actually a response to that recognition.Opera-nover'of Ye Shi Yuan Cang Shu Mu sets up a small category called“popular novel’,its purpose is to highlight the difference between the works which had larger entanglements with“legend’’,rap literature,such as Popular Romance of Three Kingdoms,The Water Margin,etc.,and"ancient and modem dramas"and“legends”in the form of expression and the taste of performance.The Popular Romance of the Three Kingdoms and The Water Margin were still regarded as a kind of utalkingv art with the performance of fun and the couplet-style existence,and rather than vernacular popular novels.
作者
温庆新
WEN Qingxin(School of Literature,Ygingzhou University,Yangzhou,Jiangsu 225002,China)
出处
《江西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2018年第2期70-76,共7页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社科基金后期资助项目"鲁迅<中国小说史略>辨正"(编号:15FZW057)
作者简介
温庆新(1987-),男,福建泉州人,扬州大学博士后,硕士生导师。研究方向为小说史及小说文献、明清目录学史。
