摘要
"珰"作为一种冠饰,不仅可以作为"貂蝉冠"、"通天冠"、"步摇冠"之构件,亦可作为"骨苏"之构件。其形制特殊,包含了重要的政治意义和文化内涵。本文通过理"珰"、读"珰"以及对邻"珰"的对照比较,力求洞鉴,以达昭然。从考古实物资料出发,利用考古类型学的方法,对出土于两晋十六国时期墓葬中珰的形制分型分式,进行梳理研究,探究其时代特征、地域特征及演变规律。并联系珰所出墓葬墓主的身份,对照相关文献记载,结合壁画、雕塑、绘画资料中出现之珰的形制,对不同等级人群适用的不同形制的珰进行了划分。结合邻邦朝鲜半岛、日本出现的相似形制的珰,考察其传播与流变,从而探讨当时东亚地区的文化交流情况。
“Dang”is one of the headgear ornaments in ancient.It is not only a part of the“Diaochan Crown”,the“Tongtian Crown”and the“Buyao Crown”,but also a section of the“Gusu”.With special structures,it contains important political significance and cultural connotations.Based on the unearthed“Dang”,this paper makes deep analysis of the structure of“Dang”by using the methods of archaeological typology to explore the characteristics of the times,geographical features and evolution rules.Also,combining the political status of the tomb owners,the information of history document and mural,sculpture and painting materials,it is found that for different levels of people,different structures of“Dang”are divided.In addition,this paper makes comparison on the structure of the“Dang”,found in the Korean peninsula and Japan,trying to study its spreading process and changes,so as to explore the cultural exchange of the East Asian world at that time.
出处
《艺术设计研究》
CSSCI
2018年第1期43-52,共10页
Art & Design Research
关键词
珰
冠饰
考古类型学
东亚
文化交流
“Dang”
Headgear ornaments
Archaeological typology
The East Asian
Cultural exchange
作者简介
赵淑怡，南京师范大学，博士研究生
