摘要
一直以来,学界对于生态美学的提出与发展都存在着不同的看法,特别是对生态美学能否作为一个学科在学术界存在颇多疑义。我们认为,作为后现代语境下产生的新兴学科,生态美学的出现无疑是美学领域的一场革命,具有极为重大的意义。事实也证明,生态美学之所以能够成立,人与自然以及生态观、人文观与审美观之所以能够统一即在于生态美学,其哲学基础是一种包含着生态维度的生存论存在论的哲学观。鉴于我国的生态美学研究目前还处于初始阶段,所以,以"生态文明建设"理论为指导,以中西交流对话为平台,建设一种包含中国古代生态智慧、资源与话语的具有某种中国气派与中国风格的生态美学体系就成为今后生态美学发展的目标之所在,这同时也是我们对生态美学建设的反思与未来发展的一点思考。
Comments on the proposal and prospect of ecological aesthetics have always been controversial,they are particularly so with regard to the possibility of ecological aesthetics being a discipline in the academic world.As far as we see it,as a new discipline emerging in the post-modern context,ecological aesthetics represents a revolution in the field of aesthetics,implying profound significance.As has been proved,what enables the establishment of ecological aesthetics and the harmony, between man and nature and between ecology and humanity is the fact that ecological aesthetics is based,on the ecology-oriented philosophy of ecological existentialism. Since the research of ecological aesthetics is still in its initial phase at present,the future development of ecological aesthetics should aim at constructing an ecological aesthetics system of ancient Chinese ecological knowledge,resources and discourse, with some Chinese manner and style.The construction project should observe the theory of 'eco-civilization construction' and utilize the platform of communications between China and the West.
出处
《马克思主义美学研究》
CSSCI
2010年第1期31-42,共12页
Research on Marxist Aesthetics
关键词
生态美学
生态文明建设
生态整体
共生共荣
生存论存在论
ecological aesthetics
eco-civilization construction
ecological holism
symbiosis
ecological existentialism
