摘要
吴冠中先生在艺术上的追求与坚持,不但是他对于时代价值指向的自觉,更是对审美价值的自觉。他的艺术实践为我们美术工作者塑造了一个精神楷模。他在研究西方现代艺术和中国传统艺术的过程中,深入思考了中国当代绘画的发展方向,坚定不移地提出了油画民族化和水墨现代化的口号,并一直进行绘画语言的探索与表现,为我们留下了大量的佳作。这些作品进一步证实了先生一生的努力。他在画面形式美与抽象美之间找到了符合自己艺术追求的平衡点,而这个平衡点也符合本民族的审美取向。他牢牢抓住"风筝不断线"这一艺术创作原则,不断探索绘画的语言表现形式,在当代绘画中不但个人风格突出,而且具有启发性。通过对吴冠中先生绘画语言的分析,来说明先生对于中国当代绘画发展的价值和启示。
Wu Guanzhong’s pursuit and persistence on art is not only self-awareness on value of times, but also self-awareness on aesthetic value. His art experience set a good mental example to art worker. In the process of studying western modern art and Chinese traditional art, he thought the development direction of Chinese modern painting deeply, and proposed the oil painting nationalization and the modernization of ink unswervingly. He always carried on the exploration of painting language and left a lot of good works for us which confirms the effort of his life. He found a balance point between the form of the picture and the abstraction of the beauty, which conforms to the aesthetic orientation of our nation. He grasped the artistic principle of “kite string doesn’t sever” and explored the language forms of painting constantly. In contemporary painting he proposed that it is not only the individual style is outstanding, but also has the enlightening. Through the analysis of Wu＇s painting language, we illustrate the value and inspiration of the development of Chinese contemporary painting.
作者
王若馨
WANG Ruo-xin(College of Fine Arts,Longdong University,Qingyang 745000,Gans)
出处
《陇东学院学报》
2018年第5期139-144,共6页
Journal of Longdong University
关键词
绘画语言
点线面色
油画民族化
水墨现代化
painting language
dot-line-surface-color
oil painting nationalization
the modernization of ink
作者简介
王若馨（1988-），女，甘肃庆阳人，助教，硕士研究生，主要从事美术教学实践与理论研究。
