摘要
在画家吴冠中的艺术活动中,其大量的文字作品同样引起广泛的关注乃至极大的争议,中间主要涉及到的是最近三十年来美术研究中的两个核心问题,一是关于“形式美”的讨论,另一个是关于中国绘画中笔墨价值的论争。本文从问题提出的历史语境出发看待吴冠中的写作,从艺术批评史角度重新作出评价。
In the artistic activities of Wu Guanzhong as a painter,his large amount of writings also attracts wide attention and leads to great disputes,of which two are essential in the discussions about fine arts for the past thirty years:one is the discussion about formal beauty,and the other is the dispute about the value of brushes in Chinese paintings.This paper sees Wu's writings from the perspective of historical context and reevaluates them from the historical angle of art criticism.
出处
《文艺研究》
CSSCI
北大核心
2007年第3期137-143,共7页
Literature & Art Studies
