摘要
由于小说观念的阈限,我们常常忽略、淡化乃至曲解《狂人日记》在现代精神史、心灵史上的真实位置。《狂人日记》乃现代中国疯狂文学之开山、中国文学真实语言之诗性桂冠。它以小说名世,却终究要跨出艺术之塔,直抵人之存在真相,成为隐喻、抽象世界整体存在状态的"有意味的形式"。吃人游戏不终结,它就依然是"对于摧残者的憎的丰碑"。
Due to the limitations of the concepts in the novel, we often ignore, dismiss and even misinterpret the status of A Madman's Diary in the history of modern spirit and in the history of mind. A Madman's Diary is the beginning of modern Chinese insanity literature and a masterpiece of the true language of Chinese literature. It is known to the world as a novel, but has eventually come out of the tower of art and reached the truth of human existence, becoming a "meaningful form" of the existence of the metaphor and abstract world. As long as the game of cannibalism does not end, it will remain "a monument of the hatred for those who destroy people".
出处
《探索与争鸣》
CSSCI
北大核心
2018年第7期59-67,共9页
Exploration and Free Views
基金
国家社科基金项目"创伤与中国现代作家独创性关系研究"(15BZW181)
关键词
鲁迅
《狂人日记》
吃人游戏
专制
Lu Xun
A Madman's Diary
Game of Cannibalism
Autocracy
作者简介
贾振勇，山东师范大学文学院教授、博士生导师。（济南250014）
