摘要
音乐在社会中是一项重要的人类文化活动,其在不同的场合会产生不同的作用。一直以来,社会上层都较为重视音乐对社会文化的作用。嵇康著《声无哀乐论》篇正是反映他对传统礼制音乐的批判,同时也可以揭示出魏晋时期音乐已经开始转向世俗化。
In the article ＂Transcending and Deepening- a Review of the 30 Years＇ Research on Western Music＂, Professor Cai Liangyu elaborated on the music research achievements since 1978, analyzed the existing problems, and put forward suggestions for future development. This paper discusses the subject orientation and methodology, the relationship between politics and music since the reform and opening policy, and the expounding, analyzing and thinking of music ontology. The author＇s ideas and suggestions of music research consist of breaking the traditional ideas, emphasizing the methodology of music research, adhering to the exquisite technique and high level of aesthetic, the unifying of value orientation, absorbing predecessors＇ experience, and considering and analyzing problems comprehensively.
出处
《吉林艺术学院学报》
2015年第5期2-6,共5页
Journal of Jilin University of Arts
关键词
音乐世俗化
声无哀乐论
文本
western music
music research
the reform and opening-up policy
作者简介
苏翔（1988-），男，山西师范大学戏曲文物研究所2014级博士研究生，主要研究方向为戏曲史。
