摘要
运用科学人类学方法和行动者网络理论,研究闽南地区永春漆篮传统手工技艺,通过考察传统技术的建构反映乡村社会的变迁。不同时期的永春漆篮行动者网络有不同的表现形式,传统社会时期的漆篮传统技术的网络以家庭和商铺生产为主,计划经济时期的漆篮传统技术的网络以国营和集体生产为主,而市场经济时的漆篮传统技术的网络以股份制和家庭生产为主。三个阶段的生产组织及人员在分别建构漆篮传统技术的同时形成了相应的行动者网络,最后产生了新的乡村社会面貌。
With scientific methods of anthropology and on the basis of Actor-Network Theory, this paper studies Yongchun paint- ing basket traditional craftsmanship in south Fujian, by investigating the construction of the traditional craftsmanship to reflect the changes of the rural society. Yongchun painting basket actor - networks in different periods have different forms. In the traditional society period, painting basket traditional craftsmanship network gave priority to family and shop production; in the planned econ- omy period, to state-owned and collective production; and in the market economy period, to joint stock system and household production. The production organizations and people at the three stages respectively help construct the traditional craftsmanship, and at the same time they form the corresponding actor-networks, and finally realize a new countryside visage.
出处
《集美大学学报（哲学社会科学版）》
2015年第2期18-24,共7页
Journal of Jimei University：Philosophy and Social Sciences
基金
教育部人文社会科学研究青年基金项目(12YJC840009)
关键词
传统技术
建构
乡村社会
变迁
永春漆篮
traditional craftsmanship
construction
rural society
change
Yongchun painting basket
作者简介
郭荣茂（1984-），男，福建永春人，讲师，博士，主要从事文化社会学研究。
