摘要
作为兼具文化与艺术双重属性的非物质文化遗产,在经过"非遗"产生、申报、保护、发展等阶段后已然成为"他者""自我""社会"关系网中的资本,并以其独特的价值呈现在特定的社会空间中成为社会想象对象。"非遗"的艺术人类学研究主要是从历史溯源、社会评价、建构再造、共同体形成等维度进行把握和阐释,多维视角中对"非遗"的社会阐释与社会构想成为"非遗"民族志书写的社会集体视角即社会想象,这种多维度的社会思考与把握也是解决我国"非遗"保护问题的文化视角和学术参考,其民族志的书写社会多角度的想象与阐释通过文本化策略得以实现。
Intangible cultural heritages characteristic of both cultural and artistic nature have become the capital in the network incorporating the elements of"the other","self"and"society"with the emergence,acknowledgement,preservation and development of intangible cultural heritages,and have turned into the objectives of societal imagination in a specific social space with their distinctive values. The study of artistic ethnography concerning intangible cultural heritages mainly centers on their historical origin,social assessment,construction,remolding and formation among others. In those perspectives,the societal explanation and conception of intangible cultural heritages constitutes the collective social perspective,i. e.,societal imagination,which the ethnography of intangible cultural heritages depicts. Such multi-angle societal reflection can be one of the cultural perspectives and academic references in addressing the issue of the conservation of intangible cultural heritages in China. The depiction of ethnography and multi-perspective societal imagination and illustration thus can be achieved by the strategy of textualization.
作者
周园
杨秋月
ZHOU Yuan;YANG Qiu-yue(School of History,Nanjing University,Nanjing 210023,China;School of Social Sciences,Naujing University,Nanjing 210023)
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2019年第1期37-41,共5页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金项目"习近平总书记命运共同体思想唯物史观基础研究"(17XKS024)阶段成果
关键词
非遗化
非遗之后
艺术民族志
书写
社会想象
intangible cultural heritage
after the entry into the list of world intangible cultural heritages
cultural ethnography
depiction
societal imagination
作者简介
周园,南京大学历史学院博士研究生。
