摘要
《文赋》和《文心雕龙》的文体风格理论承前启后:陆机继承和发展为10种文体,彰显"应、和、悲、雅、艳"的艺术风格,刘勰总其大成为论文叙笔共35种文体,彰显"风清骨峻"的艺术风格。同时,两部文论著作的哲学渊源是:一方面,文体是自在自为的存在,陆机主张"禁邪制放",刘勰标举"本道师圣";另一方面,风格是自由负责的选择,陆机倡导"奢、当、无隘、旷"的风格标准,刘勰遵循"因性练才"的风格标准。
The style and the stylistic theories of Wen Fu and Wen Xin Diao Long inherited the traditions and guided the later generations. Lu Ji inherited and developed ten kinds of styles, highlighting the artistic styles of echo, harmony, sadness, purity, and artistic beauty. Liu Xie summarized the papers of 35 kinds of styles, showing the vigorous, powerful, sentimental, elegant literary styles. The philosophical sources of the two literary theories is ： On the one hand, the style freely exists;Lu Ji advocated distinction and the style must prohibit the evil and vain. Liu Xie pursued, starting from the natural way, worshiping saints as a teacher. On the other hand, the style is free and responsible. Lu Ji advocated style is exaggerated, just right, unhindered, and open. Liu Xie pursued, according to their own endowments, character to play their own writing expertise.
出处
《南昌大学学报（人文社会科学版）》
北大核心
2013年第3期115-120,共6页
Journal of Nanchang University(Humanities and Social Sciences)
基金
广东省哲学社会科学"十二五"规划一般项目"哲学视域下<文赋>与<文心雕龙>比较研究"(GD11CZW01)
湛江师范学院人文社会科学研究青年项目"<文心雕龙>与<文赋>的创作理论及文化心理的比较研究"(QW1002)
中央财政支持地方高校发展专项资金项目"汉语言文学‘三维一体’科研创新团队项目"(财政【2012】140号)
