摘要
司空图《诗品》中的"雄浑美"有三个方面的审美特征:审美主体具有雄健浑厚的精神品格、恢弘豪壮的精神气魄和激烈高昂的感情特色;审美境界具有"至大至刚"的审美特征;心物关系上,具有物我同构、神与物游、物大我亦大的特征。《诗品》中"雄浑美"的提出有三个层次的哲学文化基础:中国古老的"天人合一"的哲学根源;中国士大夫刚健有为的人生态度和文化心理结构;"盛唐诸公"特别是李杜诗歌的审美经验、文化实践基础。
The ＂grandeur and beauty＂ in Si Kong-tu＇s Poetic Styles is characterized by three aesthetic aspects： the aesthetic subjects have grand spiritual quality, great and heroic vision and impassioned emotional trait; the aesthetic realm has the feature of ＂greatness and firmness＂; the subject is harmoniously blended with the objects. The presentation of the above features is based on the philosophical and cultural foundations of three levels： the ancient philosophical origin that Heaven and man is one; the firm and accomplished attitude of life and psychological structure of Chinese scholar-officials; and the aesthetic experience and cultural practice foundations of the poems by the poets in prosperous Tang Dynasty, especially those by Li Bai and Du Fu.
出处
《齐鲁学刊》
CSSCI
北大核心
2007年第4期75-78,共4页
Qilu Journal
基金
山东省教育厅人文社会科学研究项目(J06S068)
关键词
司空图
《诗品》
雄浑美
审美特征
哲学文化基础
Si Kong-tu
Poetic Styles
grandeur and beauty
aesthetic features
philosophical and cultural foundations
作者简介
杨景生（1964-），男，山东邹城人，济宁学院中文系副教授。
