摘要
侗族河歌因多在风景优美的河边演唱而得名,它与侗族的玩山歌、坐夜歌一道构成了侗族情歌的三种类型。艺术人类学视阈下的侗族河歌呈现出原生态特征,同时具有衍变性特征。艺术人类学作为一种视角,要求在实地研究中搜集整理河歌,把握河歌的题材内容、审美内涵、艺术价值、风格嬗变等问题,同时又注重把握滋养河歌产生和存在的文化背景和民俗机制;用艺术人类学的视野考察河歌,有助于河歌的搜集整理和学术研究,更有利于从整体上把握和揭示侗族民俗文化与河歌的关系,进一步揭示侗族民歌的生态环境。
River Song of the Dong are named for their singing at gorgeous river banks. As one of the three singing types of the Dong, it is different from Folk Songs on Mountains and Love Songs in Moonlight. From the perspective of art anthropology, it has the features of original ecology and variations. From the view of art anthropology, the present study is to carry out field investigations so as to collect the songs and make an analysis of the themes, contents, aesthetic connotations, art values and style variation as well as to study its cultural background and customs. The research is significant for its collecting and study so as to reveal the relation between Dong＇ s customs and the singing art as well as the ecological environment of the Dong＇ s folk songs.
出处
《原生态民族文化学刊》
2012年第4期82-88,共7页
Journal of Ethnic Culture
作者简介
胡牧（1981-），男，重庆人，云南大学人文学院中文系2011级中国少数民族艺术专业博士研究生，主要研究方向为生态审美与民族艺术学研究。
