摘要
通过对《伤逝》文本的解读,发现涓生在建构自我形象中经历了"启蒙导师"、"个人主义者"、"反叛的强者"等形象的转换,在自我形象的不断转换中经历了严酷的内心搏斗,小说以涓生"手记"这一自白体,将坦露与掩饰、追问与忏悔、真实与空虚等复杂的情感与思想交织于一体,展现了现代意义上的自我生成的困境与可能性。《伤逝》作为探寻鲁迅思想转变的关键文本,分析涓生自我形象的建构过程,可以更深刻理解鲁迅先生1925年之后如何回应和深化其早期的"立人"思想。
Based on a close reading of the text of the short story ＂Mourning the Dead＂ （Shang Shi）, the authors have found that Juan Sheng the protagonist has gone through three phases in his personality buildup, the enlightener, the individualist, and the rebel. In the process of this transition, he has suffered from an agonizing inner-conflict, which is embodied in such opposites as confession and cover-up, quest and repentance, truthfulness and vanity, the very symptoms of a modern man in his search of self-construction in an adverse environment. The understanding of ＂Mourning the Dead＂, a key text in Lu Xun＇s writing career, contributes to the appreciation of the writer＇s ＂personality buildup＂ attempt after 1925.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2012年第3期30-35,共6页
Journal of Lanzhou University（Social Sciences）
关键词
《伤逝》
鲁迅
启蒙理性
自我形象
涓生
＂Mourning the Dead＂
Lu Xun
enlightenment rationality
self-image
Juan Sheng
作者简介
杨晓珍（1966—），女，山西临县人，高级编辑，从事影视文学研究。
