创伤博物馆——论《剧响、特近》中的创伤与记忆被引量：30

Trauma and Memory in Extremely Loud and Incredibly Close

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摘要美国作家乔纳森·萨福兰·福厄的小说《剧响、特近》以2001年美国"9·11"恐怖袭击事件为背景,以儿童视角勾勒不同历史时期和文化背景下各色人物的创伤体验,谱写20世纪以来人类创伤的全景图。本文以创伤理论为视角,认为该小说以博物馆的呈现方式书写灾难,并从创伤人物、创伤书写和承载创伤记忆的图像三个"展区"来聚焦创伤,揭示创伤与记忆之间的张力,探讨创伤叙事中书写与沉默的悖论。 With 9/11 as the backdrop, Jonathan Safran Foer＇s novel Extremely Loud and Incredibly Close interweaves different traumatic experiences in various historical times from a child＇s angle and presents a panoramic picture of man-made trauma since the 20th century. Approaching the novel from the Perspective of trauma theory, this essay holds that the novel represents trauma in a museum-like style through three types of ＂ex- hibits＂, namely, traumatic characters, traumatic writings and memory-laden images, and manifests the tension between trauma and memory and the paradox of writing and silence in trauma narratives.

作者曾桂娥

机构地区上海大学外国语学院

出处《当代外国文学》 CSSCI 北大核心 2012年第1期91-99,共9页 Contemporary Foreign Literature

基金教育部人文社会科学研究青年基金项目"美国9.11主题小说研究"[10YJC752002]的阶段性成果

关键词乔纳森·萨福兰·福厄《剧响特近》博物馆创伤记忆 Jonathan Safran Foer, Extremely Loud and Incredibly Close, museum,trauma, memory

分类号 I712.074 [文学—其他各国文学]

作者简介作者简介：曾桂娥，上海大学外国语学院讲师，英美文学博士，加州大学洛杉矶分校访问学者，主要研究美国文学。

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参考文献20

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二级参考文献67

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