摘要
创伤叙事是尼日利亚新生代女作家奇玛曼达·阿迪契介入现实的一种策略。在阿迪契的创伤小说中,身体叙事通过表面的标记,对个体与集体意识层面的抽象且无实体的创伤记忆进行具象化、实体化与符号化处理。非线性叙事则能契合创伤记忆的破碎、零散、不成体系等特性,刻画出创伤主体在不同时空维度错综复杂的心态变化。对于创伤再现的见证危机,阿迪契借助不可靠叙事来呈现后创伤视域下的伦理思考。总体而言,阿迪契的创伤叙事是立足于尼日利亚与非洲社会的现实,对以往人民经历的暴力压迫、分裂战争以及种族歧视等创伤性事件进行梳理和反思,以此重新构建非洲在世界文学舞台中的叙述话语体系,彰显出非洲作家的使命意识与责任担当。
and disembodied traumatic memories at the level individual and collective consciousness through the physical marks.The non-linear narrative fits the characteristics of trauma memories such as fragmentation and disorganization which explores the complex changes of the traumatized subjects in different space-time dimensions.As for the witness crisis of trauma narrative,Adichie takes the unreliable narrative to present ethical thinking from the perspective of post-trauma.Based on the Nigerian and African society,Adichie reflects on the traumatic events such as domestic violence,civil war and racial discrimination in the history by the trauma narrative,in order to reconstruct the narrative discourse system about Africa in world literature which highlights the mission and responsibility of African writers.
出处
《非洲研究》
2023年第2期159-173,264,共16页
African Studies
基金
2019年国家社科基金重大项目“非洲英语文学史”(19ZDA296)
2017年国家社科基金后期资助项目“非洲文学史”(17FWW001)的阶段性成果
关键词
阿迪契
创伤叙事
身体叙事
非线性叙事
不可靠叙事
Adichie
Trauma Narrative
Body Narrative
Non-linear Narrative
Unreliable Narrative
作者简介
黄夏,华中师范大学文学院比较文学与世界文学博士研究生(武汉,430079)。
