摘要
在文化全球化发展的历史进程中,各民族及地区的冲突与对话在所难免。但无论全球化程度如何,每个人固有的、先在的"文化无意识"决定了其身份的认同感。电影《刮痧》中的男主角许大同在全球化时代下,面临中西文化的冲突时,处处表现出"文化无意识",这种"文化无意识"的存在是潜意识的、不以人的意志为转移的。而与此同时,这种中西文化又具有可以交流与对话的可能性。
＂Globalization ＂is a world-wide, dynamic and inevitable trend. At the historical process of cultural globalization, all conflict of ethnic groups and regions and dialogue are inevitable. But whatever the globalization may be, inherent and preexistent cultural unconscious in each person determine their identity. In this paper, the actor Xu-Datong of the film ＂Scraping＂ is under the era of globalization, the conflicts faced by Chinese and Western cultures demonstrated the cultural unconscious, which are the subconscious of existence, not to people＇s will. In the meanwhile , it＇s also possible to communicate and dialogue for Chinese and Western cultures.
出处
《新疆艺术学院学报》
2010年第1期81-83,共3页
Journal of Xinjiang Arts University
关键词
《刮痧》许大同
文化无意识
中西文化
融合与对话
＂Scraping＂
Xu-Datong
Cultural unconscious
The integration of Chinese and Western cultures and dialogue
作者简介
任玉玲（1981-），女，河南上蔡人，云南民族大学人文学院中国现当代文学专业2007级研究生。研究方向为现当代作家作品研究。
