摘要
"回到现场"意味着文学史研究抛弃"宏大叙事"的叙述和阐释方式,避免跨越式的霸权主义口吻强加"历史规律"于具体史实。保留社会文学生活的本有状态并搁置文化精英的傲慢态度,放弃狭隘的"文学进步"观念和囿于高雅沙龙的单一审美趣味。文学史应该通过文学呈现社会精神——心灵史。
＂Back to the on-site＂ means that the history of literature research abandonment of the ＂grand narrative＂ of the narrative and to explain the ways to avoid the tone by tone to impose the hegemony of ＂historical laws＂ on the specific facts. To retain the social life of this literature there are state and cultural elite arrogance aside, abandon narrow ＂literary progressive＂ ideas and confined to a single elegant salon aesthetic. History of literature should be presented through the literature, the social spirit - spiritual history.
出处
《成都理工大学学报（社会科学版）》
2010年第1期26-29,共4页
Journal of Chengdu University of Technology:Social Sciences
关键词
现代文学
研究
回到现场
modern literary
studies
back to the scene
作者简介
赵卓（1984-），女，吉林双辽人，广西师范大学文学院硕士研究生，主要从事中国现代文学研究。
