摘要
"审美意识形态"的争论由来已久,其实,任何理论概念的界定都不是无懈可击的,与其陷入名实之争,不如探讨进一步发展这一理论的可能性。"审美意识形态"理论具有与本民族传统艺术精神吻合,与世界前沿理论趋同的特点,并有可能与文艺美学学科建设形成良性互动,如果在本土性、前沿性、学科性三个向度上进行深入探讨和正面建构,可以使这一理论的发展具有更广阔的学术前景。
After a longtime debate on the theory of Aesthetic Ideolog, we believe its development should come to a new stage. There are at least three orientations to make the thoughts on Aesthetic Ideology deeper and broader. Firstly, we could find effective support for the theory of Aesthetic Ideology from the Chinese literary experience and traditional artistic sprits. Secondly, we could derive inspiration from the methodology of the latest western cultural theories. Thirdly, we could use Aesthetic Ideology as the core discourse to construct the theoretic system of aesthetics of literature and art.
出处
《西南大学学报（社会科学版）》
CSSCI
北大核心
2009年第6期145-149,共5页
Journal of Southwest University(Social Sciences Edition)
基金
四川大学哲学社会科学青年学术人才基金项目"中国现代文艺学学术史研究"
项目负责人:马睿
关键词
审美意识形态
文艺美学
本土性
前沿性
学科性
aesthetic ideology
aesthetics of literature and art
indigenousness
theoretic forefront
discipline
作者简介
马睿（1972-），女，重庆市人，文学博士，四川大学文学与新闻学院，教授，博士生导师，主要研究西方文论和中国近现代文论。
