摘要
艺术自律观念滥觞于康德。康德的审美自律思想并非只是持艺术的形式存在而不及其他;相反,康德提出"美是道德的象征",彰显"意志自律"与"审美自律"的内在关联。本文考察康德审美自律思想的辩证色彩,并对艺术自律观念的发展沿革作出考量。
The Idea of Art＇ s autonomy was originated in the Kantian Aesthetics. The Kantian idea of aesthetic autonomy is not only holding one end of the form of art, on the contrary, the important proposition that ＂beauty is a symbol of morality＂ highlights the association between ＂will＇ s autonomy＂ and ＂aesthetic autonomy＂. This paper attempts to investigate the dialectical feature of the Kantian aesthetics, as well as to consider the development of the idea of art＇ s autonomy.
出处
《南京师范大学文学院学报》
CSSCI
2010年第1期135-138,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
康德
意志自律
审美自律
Kant
will＇ s autonomy
aesthetic autonomy
作者简介
韩清玉，男，1981年生，山东梁山人，南京大学文学院博士研究生。
