摘要
纪实风格其实是在努力追求一种真实感,是剧作对现实的某种逼真,它与影象和声音的处理方式有关。它力求通过细节表现和"真实的空间"环境感,形式上营造生活场景来拉近观者的情感距离,带给观众人物情感的真实感去逼真现实。通过对纪实风格电影中画面造型的梳理,可以找出一些规律性的创作手段,从《秋菊打官司》一片中,我们可以看到纪实风格影视造型的特点,从而学到纪实风格的一些创作手法。同时,作为广播电视编导应该有效地运用影视造型独有语言,在银屏上创作出艺术佳作。
What documentary films pursuit are some authentic feelings , which are the authentic representation of the original story and the reality , it refers to the ways how images and sounds are treated. Therefore, documentary films always try their best to put more authentic feeling in the stories for the audience by means of the specially treated sounds, images and a feeling of real environment. According to the analyses on the pictures of documentary films, for example, the film ＂The Story of Qiu Ju＂, the underlying rules of shooting of this kind of films can be summarized. The paper points out that film directors can produce high-quality documentary films by well applying these rules in the shooting of documentary films.
出处
《中国有线电视》
2008年第5期505-509,共5页
China Digital Cable TV
关键词
纪实风格
造型意识
偷拍
长镜头
自然光效
documentary films
awake to model
secret shooting
long lens
natural light effect
作者简介
周颐（1962-），男，工程师，从事电视编导工作，E—mail：zhouqinhan@mail．xjtu．edu．cn。
