摘要
旧体诗和新诗分属于两个体系和两个时代。新诗占据诗坛主流地位后,旧体诗仍在延续,且不乏佳作,但近人旧体诗属于古典美学范畴,虽然一些杰出的旧体诗人取得了重大成就,但由于拘守旧格律而拒斥新诗的内在律,因而难以胜任表现现代人复杂内心世界的任务,同时也难以发挥现代汉语的特长。近人旧体诗不具有充分现代性,因此不宜纳入现代诗歌史。
Classical Poem and New Poem are belong to different systems and ages. After the New Poem takes the primary position, Classical Poem also exists and there are masterpieces of it. But classical poem in modem period is belong to classical aesthetics category. There are great achievements made by some eminent poets of classical poem, but because of confining to old rhythm and abandoning inherent rhythm of new poem, Classical Poem cannot express the complicated thoughts of modem people and cannot exert the merits of modem language. Classical Poem in modem period does not have enough modernity, so it should not be put into history of modem poem.
出处
《齐鲁学刊》
CSSCI
北大核心
2008年第2期128-133,共6页
Qilu Journal
关键词
新诗
近人旧体诗
内在律
现代性
New Poem
Classical Poem in modem period
inherent rhythm
modernity
作者简介
吕家乡（1933-），男，江苏沛县人，山东师范大学文学院教授。
