摘要
中央电视台科教频道的《百家讲坛》栏目是近年来颇有影响也颇具争议的一种文化现象，一个各种力量斗争、发言的文化空间。这一文化现象的出现及延续深刻地反映了中国在社会文化转型期间的种种困惑和矛盾。作为一个大众传媒时代广义的文学文本，《百家讲坛》栏目充分反射出当代中国精英文化与大众文化的矛盾与融合、普通百姓对回归日常生活世界的诉求。
As a column of CCTV - 10, Lecture Room has become very popular in recent years in spite of many controversies. It has become a cultural phenomenon and a cultural space in which various powers voice and combat. The emergence and continuation of this cultural phenomenon deeply reflects China ＇s various puzzles and conflicts that have appeared in an age of transition. As a literary text in the mass media age, it also reflects the conflict and combination of Chinese scholastic culture and popular culture and the ordinary people＇s desire for common life.
出处
《株洲师范高等专科学校学报》
2007年第6期41-45,共5页
Journal of Zhuzhou Teachers College
作者简介
陈勇（1977-），男，重庆人，东华理工大学外国语学院助教，四川外语学院硕士研究生，主要研究方向为美国学、文化批评；
胡步芬（1977-），女，重庆人，东华理工大学外国语学院讲师，硕士，主要研究方向为英美文学。
