摘要
宋文赋导源于楚辞、汉赋,杜牧的《阿房宫赋》开创了新文赋的先河,宋初欧阳修苏轼等人《秋声赋》、前后《赤壁赋》等杰作的出现,则标志着宋代新文赋的定型。宋文赋的特征有三:其一是多用散文句法,句式参差不齐;其二是押韵更趋自由,甚至可以不押韵;其三是以才学、议论为赋。宋文赋即使在其鼎盛的宋代也无法与处于主流地位的律赋抗衡,尔后更日渐衰落。其根本原因在于此类赋体偏重"文"的一面,从而打破了"赋"作为诗、文两栖文体的平衡,有失去"赋"自身独立性的危险。
Song Wen tax has originated from The Songs of Chu , Chinese tax, Du Mu＇s ＂Epang Palace＂ has started new culture tax anything that is advocated earlier , that Song Chu Ouyang repairs masterpieces such as Su Shi and others＂ autumn sound tax＂, the front and back ＂Thoughts of the Past at Red Cliff＂ ＇ s has appeared, been the finalization of design being indicating new culture of Song Dynasty tax. Song Wen tax characteristic has three： One is that multipurpose prose syntax, sentence - type are uneven; It＇ s two is to be in rhyme tending towards liberty more, to be able to not be in rhyme even; It＇ s three is to take scholarship, discussion as tax. Even if Song Wen tax being member of the person in a period of great prosperity Song Dynasty is also unable and the position form of literary style counter - balance, is on the wane thereafter more gradually in main current. Whose root cause has been inclined to ＂gentle＂ one aspect in being similar to the tax body hereof, has broken ＂tax＂ thereby having losing ＂tax＂ as the poem, amphibious style of writing of culture balance, oneself independent character danger.
出处
《中国文学研究》
CSSCI
北大核心
2007年第3期33-36,共4页
Research of Chinese Literature
关键词
宋代
文赋
形成
文体特征
衰落
Song Dynasty
Wen Fu
shape
stylistic characteristics
fading
作者简介
郭建勋（1954-），男，湖南涟源人，湖南大学文学院教授、岳麓书院国学研究基地研究员。
黄小玲（1978-），女，广东高州人，湖南大学文学院硕士研究生。
