摘要
本文用文化批评的方法,解读郭沫若五四时期的《女神》和抗战时期的《屈原》,透视其文化身份的嬗变,研究其对个体和民族群体文化身份的构建,凸显其作品的新的诠释及价值。
The paper would like to study Guo Mo-ruo from the perspective of cultural criticism. Through interpretation of Guo Mo-ruo works, such as Goddess written in Wu Si Period and Qu Yuan written in the period of the War of ReSistance Against Japan, the evolution of his cultural identity can be found. By studying Guo Mo-ruo＇s constructs of cultural identity of individual and ethnic groups, the new value of his works can be highlighted.
出处
《中国社会科学院研究生院学报》
CSSCI
北大核心
2006年第3期115-120,共6页
Journal of Graduate School of Chinese Academy of Social Sciences
关键词
郭沫若
文化身份
嬗变
构建
Guo Mo-ruo
cultural identity
evolution
construct
