摘要
《大武》是周代重要的乐章,但古代文献对《大武》乐的记述颇多矛盾与舛误之处。本文对《大武》乐的本事及应用、作者、用乐情况、与诗之关系、舞容等作了进一步的考释,有助于后人准确地了解《大武》乐乃至上古乐舞文化。
Dawu is an important music composition of the Zhou Dynasty, but ancient literature abounds in contradictions and even errors in the recording of it. This paper makes further textual criticism and hermeneutics of Dawu in its source materials and their application, the author, the music operation, its relationship with poetry, and the appearance of the dance, which hopefully, will benefit posterity in their correcting understanding of Dawu and the primeval culture of music and dance.
出处
《南京师范大学文学院学报》
2005年第4期104-109,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
《大武》
上古乐舞文化
乐章
周代
Dawu
textual criticism and hermeneutics
primeval culture of music and dance
作者简介
张石川，男，1977年生，江苏南京人，复旦大学中国古代文学研究中心博士。
