摘要
“原乡”是古今中外文学作品中一类“绵延不绝、历久弥新”的形象。王鼎钧先生以其“经历七个国家,看五种文化、三种制度”的丰富人生阅历和中西文化积淀,以及作家“返身观照”的职业性敏感深情,融注对宗教的体悟和研究,构筑了其散文中独树一帜的“原乡”形象,使这一形象成为具有现代文化特征的多种“原乡”形象的交叉和融汇,亦使其家园情怀别具一格。
“Native land” image is an endless and ever- lasting theme in literature at all times and in all countries. Mr. Wang Dingjun formed the distinguished “Native land” image, based on his rich life experiences in seven countries, five kinds of culture, and therr kinds of systems as well as his professional sensitive emotion, also mixed with his sensation and study in religion. And he made the image an intersect and mixture of many kinds of “Native land” images with modem cultural traits. This essay aims at revealing its modem nature and unique aesthetic sense by means of the analysis and research into the image in his works. Mr. Wang＇ s “Native land” image is a rare choice work among all the same kinds of 20th Chinese literature.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2005年第4期78-81,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
原乡
人生观照
审美内蕴
王鼎钧
散文
家园情怀
Wang Dingjun prose
“Native land”
image outlook and experience on life aestherc connotation
作者简介
高彩霞（1955-），女，河北省张家口市人，中国环境管理干部学院人文社会系高级讲师。
