摘要
刘勰提出的"神思"和"意象"之说具有丰富而深刻的审美内蕴。他把"神"与"思"分开来论述,揭示了文艺创作构思的审美特质;他把"意"与"象"合为一词论述,将文艺创作构思提升到审美心理层面;他把"神思"与"意象"结合起来论述,列为创作论之首,具有重要的开拓和审美价值以及重要的创作实践指导意义。
Liu xie put forward the theory of ＂state of mind＂ and ＂the aesthetic image＂ , has abundant and profound aesthetic implication. He put the ＂spirit＂ and ＂thinking＂ discussed separately, reveals the literary and artistic creation idea of aesthetic characteristics; He put the ＂aesthetic meaning＂ and ＂ima-ges＂ becomes one word, - ＂aesthetic images ＂, discusses the conception of literary and artistic creation to ascend to the aesthetic psychological level ; He put the ＂state of mind＂ and ＂the aesthetic image＂ pa-per combined, as the creation, is important to develop and aesthetic value and the creation of great prac-tical significance, characteristics of the rule of creation.
出处
《河北学刊》
CSSCI
北大核心
2013年第4期242-244,共3页
Hebei Academic Journal
关键词
艺术
构思
神思
意象
：Artistic
conception
state of mind
the aesthetic image
作者简介
彭勃（1968-），男，天津人，河北大学艺术学院讲师，主要从事设计艺术学、美学研究。
