摘要
漂泊母题在中国现代文学史上十分繁盛,相对于漂泊母题的男性书写,女性漂泊书写具有其独特性:首先它缺乏象男性漂泊那样古老的文化历史传统;其次,它的产生建立在传统女性书写中“守望”结构的坍塌之上。因此女性漂泊意识具有自身的特质。本文阐述从“守望”到“漂泊”的中国文学女性形象书写的结构变异,并试图以萧红的文学创作为参照阐释中国现代文学女性漂泊书写的一些特质。
The theme of moving has been prosperous in the Chinese mordem literature history. Comparatively to the male writing of moving, female writing is distinctive：Fristly it was lack of the antiquated culture tradition just like the male moving , secondly its producing has been established on the collapse of the “keep watch” frame, so the female sense of moving its own features. The paper elaborates the variation of female image writing in the Chinese literature , and tries to elaborate some features of female＇ s writing about moving in the Chinese modem literature referring to XiaoHong＇ s writings.
出处
《湖南人文科技学院学报》
2005年第4期71-74,共4页
Journal of Hunan University of Humanities,Science and Technology
关键词
守望
漂泊
女性意识
keeping watch
moving
female sense
作者简介
罗维（1974-），女，湖南长沙人，湖南师范大学文学院现代文学专业博士研究生，湖南公安高等专科学校讲师。
