摘要
中国古代文人创作源起楚汉辞赋,继兴魏晋五言诗歌,从而构成先唐以诗赋为中心的文学创作传统。在此长达数百年的诗赋文学创作形成时期,公元1世纪以班固为代表的赋家创制了“京都赋”文学系列、公元4世纪末以陶渊明为代表的诗人创制了“田园诗”文学系列,一被奉为赋体正宗,一被视作诗苑杰作,后世追摹仿效,奉为两座艺术高峰。而从京都赋到田园诗的变迁史迹看诗赋文学创作传统,又呈现出城市文学与乡村文学的差异,分别代表两种不同的物质背景和精神风貌,这启引我们对诗赋艺术价值作重新思考。
The creating of Chinese ancient literature originated from Ci (a form of classical poetry) of Chu Dynasty and Fu (descriptive prose interspersed with verse) of Han Dynasty, and then the penta-word Shi (poetry) of Wei and Jin Dynasties, which formed the literary tradition centered on Shi and Fu in Pre-Tang period. During this period, the Fu writers represented by Ban Gu wrote a series of metropolis Fu, and Shi writers like Tao Yuan-ming composed a series of pastoral Shi. While the former is regarded as the orthodox Fu, the latter is hailed as exquisite masterpieces. Both metropolis Fu and pastoral Shi are artistic peaks with numerous followers. With the transition from metropolis Fu to pastoral Shi, this literary tradition of Shi and Fu also differentiates the metropolitan literature and rural literature, which reflect the different material surroundings and spiritual features. Reconsideration of the artistic value of Shi and Fu is evidently elicited in this change.
出处
《南京大学学报（哲学．人文科学．社会科学）》
CSSCI
北大核心
2005年第4期105-113,共9页
Journal of Nanjing University(Philosophy,Humanities and Social Sciences)
关键词
京都赋
田园诗
诗赋传统
metropolis Fu
pastoral Shi
the tradition of Shi and Fu
