摘要
弗洛伊德的游戏观可以概括为“虚拟”论,即游戏是人借助想象来满足自身愿望的虚拟活动;其艺术观可以概括为“梦幻”论,即艺术是经过改装并符号化了的可供社会成员共享的梦幻。在弗洛伊德看来,艺术是一种符号性、社会性的精神游戏。这就是弗洛伊德眼中的艺术与游戏的关系。由于弗洛伊德考察游戏和艺术现象的视野不够宽广,他的游戏理论和艺术理论的普适性与合理性都是有限的。
Freud’s view on play can be generalized as the theory of “mimicry”, that is to say, play is a virtual activity in which man satisfies his desires by means of imagination. And his view on art can be generalized as the theory of “dream and illusion”, namely, art is a transformed and symbolized dream and illusion shared by members of the society. In Freud’s opinion, art is a symbolic and social spiritual play. Freud’s understanding of the relationship between the two, limited in its theoretical horizon, results inevitably in his failure to make his theories reasonable and universal.
出处
《浙江师范大学学报（社会科学版）》
2005年第3期40-45,共6页
Journal of Zhejiang Normal University(Social Sciences)
基金
浙江省哲学社会科学规划课题(N04WX01)。
