摘要
从后殖民主义批评视角出发,以小说《红楼梦》中的成语为例,本着文化的平等对话这一宗旨,扼要探讨杨宪益夫妇与霍克斯在翻译其中文化时各自的处理方式及由此体现的文化意识,分析了霍克斯译文中所凸现的那种"殖民者的凝视"及其背后的成因,而杨译则呈一种非殖民化的对峙。由此提出,在后殖民视域的中西文化对话中,不应以文化身份的缺失为前提。
A post-colonialist point of view leads to the discussion of the different ways and the cultural awareness that the Yangs and Hawkes have showed in translating the cultural features in the Chinese classic A Dream of Red Mansions. Taking from it some idioms as expressive examples, this paper analyses how there is something like 'colonizer's eyes' in Hawkes' translation on the one hand, with the Yangs' as some confronting decolonization on the other. Finally it argues that the cultural dialogue between East and West cannot be reached at the cost of loss of our cultural identity.
出处
《四川外语学院学报》
2004年第6期110-114,共5页
Journal of Sichuan International Studies University
