摘要
由于章法是建立在二元 (阴柔、阳刚 )对待之基础上的 ,所讲求的是篇章“多、二、一 ( 0 )”和逻辑结构 ,因此其风格之形成 ,便与这种由二元 (阴柔、阳刚 )对待所组织而成之“多”、“二”、“一 ( 0 )”结构与其“移位”、“转位”、“调和”、“对比” ,息息相关。以东坡的几首清峻词为依据 ,对整体结构之阳刚与阴柔消长的情形 ,加以探讨 ,试予量化。发现东坡的清峻词 ,就其风格中之刚柔成分而言 ,大都是属于“偏柔”之作 ,而就其内容主旨来看 ,则兼身世之感 (峻 )与物外之思 (清 )而有之 。
The art of composition is established on the basis of duality(Softness and Vigorousness)Correspondence,and it demands for a logical structure of more,two,one and Zero about chapter,So the formation of its style is closely linked to the structure of more,two,one and zero organized by this duality correspondence and its shift,transference,mediatation and comparison.According to several qingjunci poems of Su Dongpo,this article makes an exploration and measurement to the growth and decline of vigorousness and softness about the entire structure,finding most of them are partial sofoness writings from the style,both of the sense of life experience(sternness)and thinking beyond things(elegance)from the gist of content.
关键词
苏轼
清峻词
章法“多、二、一(0)”的逻辑结构
风格
刚柔
量化
Su Shi
Qingjunci Poetry
Logical Structure of the Art of Composition
Style
Vigorousness and Softness
Measurement
