摘要
本文尝试厘清利维斯之文化批评经验与其身后文化研究(Cultural Studies)之历史发生学关系。文章将对利维斯的思想做一文化层面上的总体考察,同时将之下衔于50年代伊始的文化研究经历,对利维斯所代表的前文化研究与霍加特、威廉斯的文化研究之间在转承过程中经历的复杂性、矛盾性、斗争性方面做一探索性考证。本文以利维斯的文化诗学以及霍加特和威廉斯的早期文化文本《识字的用途》、《文化与社会》为研究对象,对三者文化观之学理联系做一分析,试图借之而获得对三者文化观之内在关系的一个较为完整的互文图解。研究证明:文化研究自诞生之日起,对大众文化的接纳,曾经历了从利维斯主义的否定到文化主义的矛盾肯定和批判肯定的复杂过程。
The present paper aims to clarify the genetic historical relationships between F. R. Leavis' s cultural criticism and the discipline of Cultural Studies. It attempts a general survey of Leavis' s criticism on culture,connecting him with the early development of Cultural Studies represented by Richard Hoggart and Raymond Williams in the 1950 s,and examines the complexity,contradictions and struggles in the transition from Leavis to Hoggrat and to Williams. Through an analysis of Leavis' s cultural criticism,Hoggart's Uses of Literacy and Williams' Culture and Society,the paper delineates the internal relationships of intertextuality. The development of Cultural Studies has been a complicated process of absorbing mass culture and denying Leavisism,with contradictive and critical affirmation of culturalism.
出处
《文艺理论研究》
CSSCI
北大核心
2015年第1期205-214,共10页
Theoretical Studies in Literature and Art
基金
2013年浙江省哲学社会科学规划课题"F.R.利维斯与文化研究"[项目编号:13NDJC136YB]的阶段性成果
