摘要
1959年对四川巫山大溪遗址的发掘揭开了长江中游史前考古研究的新篇章,大溪文化便成为学术界引人注目的研究课题。迄今为止,有关大溪文化遗址的调查与发掘与日俱增,对大溪文化的分布、分期、类型及源流关系的探讨都有了长足的进展,同时也存在一些亟待解决的问题,如大溪文化的内涵特质被逐渐淡化等。鉴于此,本文拟在前人研究的基础上,对以往所认为的大溪文化遗存进行再一次检索,从分析典型遗存入手,剖析陶器的组合与特点。
In the present paper, some important sites of the Daxi culture are analysed and divided into six stages of three periods on the basis of straigraphical and typological studies of the pottery. The absolute date of the three periods is abou, 6900—5100 BP.
The combination and characteristics of the pottery show that the Daxi culture falls into two types: the Zhongbaodao and the Guanmiaoshan. The former is roughly distributed in the areas of the three gorges and the Qinghe River in the sohern Yangtze valley; the latter, in the area of the Juzhang River in the northern Yangtse valley.
Genealogically, the Daxi culture is different from the Qujialing culture. They didn't originate from the same source, hut they exerted influence upon each other. The decline of the Daxi culture is not simply a spontaneous coarse but resulted from the gradual westward spread of the Qujialing culture.
出处
《考古学报》
CSSCI
北大核心
1992年第4期393-412,共20页
Acta Archaeologica Sinica
