摘要
在民族文学批评意识不断强化的背景下,随着对于民族文学特征认识的不断深化,以及中国文学批评理论不能完全适应朝鲜文学批评的实际,朝鲜古代文人在18—19世纪推出了具有鲜明民族特色的文学批评概念“神境”。“神境”论多指一种玄妙的文学状态,但有时也指文学创作所达到的审美境界,它在强调民族山水对于民族文学及其内在精神生成作用的基础上,重视“神”与“境”之间的相互关系,展现了朝鲜古代民族文学批评话语建构的努力。然而,“神境”论是在中国传统文学理论传统基础上生发起来的,具有明清文学理论影响的明显痕迹,并依然处于中国明清文学批评话语的范畴之内,甚至可以说是明清时期相关文学理论的域外变异。
Under the background of the continuous strengthened of the:consciousness of national literary criticism,with the deepened of the understanding of the characteristics of national literature,and the theory of Chinese literary criticism could not fully adapt to the reality of Korean literary criticism,the ancient Korean literati put forward the concept of“Spirit Realm”in the 18th-l9th century,which is a concept of literary criticism with distinctive national characteristics.The theory of“Spirit Realm”referred to a kind of mysterious literary state,but sometimes it also referred to the aesthetic state reached by literary creation,which emphasized the role of national landscape in the formation of national literature and its inner spirit,attached importance to the relationship between“Spirit”and“Realm”,and showed the efforts of constructing the critical discourse of ancient Korean national literature.However,The theory of“Spirit Realm”is based on the traditional Chinese literary theory,which had the obvious trace of the influence of the literary theory of Ming and Qing Dynasties,and is still in the category of Chinese literary criticism discourse of Ming and Qing Dynasties,It is the foreign variation of the relevant literary theories in the Ming and Qing Dynasties.
出处
《古代文学理论研究》
2024年第1期474-496,共23页
Studies of Ancient Chinese Literary Theory
基金
吉林省社会科学基金资助项目(2020B192)
国家社会科学基金资助项目(22BWW025)
关键词
“神境”论
中国影响
朝鲜古代
民族文学批评话语
the theory of“Spirit Realm”
the influence of China
Ancient Korean
critical discourse of national literature
